Tracey Emin, Artist talk, Pt.1

Tracey Emin | Special birthday


Birthdays are strange. They either overwhelm and surprise you, or leave you disappointed. Someone's "Lucky birthday" which is sometimes called your Golden or Grand birthday. Is when you turn the age of your birth day (e.g. being born on the 23rd of the month and turning 23 years old). Last Friday, the 27th, was my 21st birthday. So not my "lucky birthday". On the Monday of my birthday week, two thoughts were stirring in my mind. My ticket for a talk by Tracey Emin, my favourite artist, happening that evening at the Hayward gallery, London. Along with the thought of my birthday party in Liverpool at the end of the week.


As my Monday wore on I shared text messages with friends about our plans for my birthday party, with outbursts of excitement for Tracey. I was planning on buying the catalogue for her new exhibition and getting her to sign it before the talk, as she was meant to be signing copies. However I had also planned to bring along a blank home-made 21st birthday card, in the hope she'd see the fun side of my request and sign and address it to me with that all important sentence…'Happy 21st birthday'.

Three o'clock, four o'clock, five o'clock... come on, half six! I want my card signed. Around 5.45pm a group of hardcore fans stand up from their seats and shuffle forward. Subtly carting bags full of books and posters they are acting casual, cool. But, looking very determined. Oh god, two of them have suitcases!? Ok I’m new at this, so I’ll take my cues from them.  But I still have most of my pint left. And they are starting to form queue, for an empty desk? Ok. I quickly gulped down my drink. Trying to look as relaxed as I could. And scurried across.


I queued patiently with the mega fans, chatting as sharing stories. This is lovely, I thought, its like a mini community. Every couple of minutes the nerves and excitement would be cranked up a notch, with someone else mentioning how much longer we had left to wait.

Eventually, from the corner of the room a slim body, with sun kissed brown hair confidently walked towards us. Tracey Emin. Followed loyally by a team of assistants. She sat down, made eye contact with a fan, broke into one of her famous crooked smiles and warmly laughed at a team members joke. She's lovely! No worries. She WILL sign my card I can tell. 

The queue moved surprisingly fast, before long I was next. Then, it was my turn. I stepped forward holding out my show catalogue and handed it over. She scribbled away on it. "Its my 21st birthday this week and... I've brought a birthday card. Would you sign my birthday card. Please. My name is David?" "Yesss. Happy 21st birthday David", she said smiling, holding out her hand to take my card. YES... She. Said. Yes. I walked away with my birthday card safely inside my exhibition catalogue. Thinking... so much for "lucky" birthdays. 


57 PROTAGONISTS

57 PROTAGONISTS | Second year illustration exhibition

Our second year illustration show opens tomorrow (2nd June). All the the work is looking fantastic, the private view is sure to be night to remember! I'm planing on bringing along my video camera to capture all the excitement. So watch this space.

57 PROTAGONISTS
02.06.11 - 11.06.11

SW1 GALLERY 
12 Cardinal Walk, Roof Garden Level
(off Victoria St) 
London, SW1E 5JE

http://57protagonists.blogspot.com/

Liverpool Birthdays

Liverpool Birthdays | You've gotta have them!


Over the bank holiday weekend it was my 21st birthday. I travelled back home to Liverpool, so I could celebrate my special birthday, in my special city.






davidlynn.co.uk Live!


My new website that I've been working on is now live! It's got a selection of most of my work and theres more work to be added! 

Take a look...


student website central saint martins csm tracey emin 

A Gateacre Goodbye

A Gateacre Goodbye | Film

This is the result from some filming I did in Gateacre community comprehensive school (my old secondary school). The school is due to be demolished later this year and move to a new site. I wanted to capture some of the original building before it vanished.

Filming & editing- David Lynn
Music- "See U eveywhere" by Avia


Henry VIII

Henry VIII



Forcing a smile

Forcing a smile | illustration collage

The Headscarf

The Headscarf | discussed in Grayson Perry's biography

My Lethaby | Moving image project

My Lethaby | Moving image project

David Lynn & Stephanie Hartman's Moving Image piece inspired from the Lethaby building at Central Saint Martins, Southampton Row, London.

Our aim was to capture the Lethaby building's atmosphere and architecture presenting it in a fresh light, by using unusual angles, repeated patterns and filming through glass crystals. After collecting a mixture of live action, still image photography and sound recordings from around the building as well as the building's archive. We layered and collaged this material along with our illustrations to form an authentically sourced response to our surroundings.




ROME TRIP

Rome Trip

Some fun Video from our illustration trip to Rome earlier this month!

Creative talking

Creative talking | Carol Ann Duffy

"When one of her (Carol Ann Duffy) English teachers died, she wrote: "You sat on your desk,/ swinging your legs, reading a poem by Yeats/ to the bored girls, except my heart stumbled and blushed/ as it fell in love with the words and I saw the tree/ in the scratched old desk under my hands, heard the bird in the oak outside scribble itself on the air."

T Ward sale

T Ward sale 

My stamp I created of model Tony ward collaged with a sale sicker I found stuck to the floor.

Fashion Forward

Fashion Forward | collage, ink illustration

Moleskin set #39

Moleskin set #39


recent sketches

Saint Martin's Lethaby building project

Saint Martin's | Lethaby building project




Her & Him

Her & Him | illustration



Cousins

Cousins | illustration from an old photograph


John Galliano: The bad guy

John Galliano | The bad guy



"The British designer John Galliano is to face trial for racial and religious insults after he was accused of making antisemitic comments during a drunken rant at a Paris bar." - The Guardian

sketchbook texture

Scan of one of my favourite pages from my sketchbook. I love the crackle texture & apple paints.



suggestions

Suggestions | pen illustrations




static menu


male men fashion style vintage 70's

Birdland triptych

Birdland | collage


Birds collage vintage nature natural 

Move forward

Bird | illustration 

LookLynn Return

LookLynn | Styling, art direction 



Keep it together

Collage colouring | scanned photographs



Farm face

Farm Face | Cow face



I feel like it wouldn't be nice to be living caged. Caged but fed, watered, milked, killed.

Swan

Swan | We succeed together 

I decided to explore the theme of ‘we succeed together’. I began by visiting a local farm from where I grew up, and drawing from observation. Believing I would witness and hopefully record beautiful displays of partnership between the natural elements at the farm . The collaboration between the animals was the first thing that resonated with me. Visually you could see how the farm was in unison. The animals each illustrated how their biggest asset was each other by moving and exploring flocks. Generating a natural and organic chorus. One of my drawings was from a pair of swans standing on the edge of the lake. As I drew the swans I noticed how one of the swans was clearing away some leaves and mud that the other swan had on its chalk white feathers. And then I remembered how when swans find a mate, they keep that mate for life. Experiencing and accomplishing life together, side by side. This successful pairing encapsulated the theme I wanted to explore. With this sentiment and swan’s natural elegant form I was inspired to develop my drawings of the swans more. Therefore I returned to my original drawings afterwards and made some monoprints from them, deciding they would have more emotional marks from using this medium. I concluded be scanning the monoprints along with watercolour sketches to further develop them digitally.
I also created a piece the same way but illustrating the instinctive partnership between the chickens and hens while they were fed. Interested at how they each respected one another’s space, whilst being incredibly close together. Which meant they all ate as a community growing, and moving forward together.





Mark marking

The human mark is full of emotion. We relate to un-uniformed marks. We look and try to interpret them. You might not know it, but you do. 

It is estimated we only use 1% - 10% of our brains. Whats the other 90% thinking?

Mark making

Animal

Animal | Mono prints & paint